I empower directors to share their vision before, during and after it's shot.
Kaya Jabar Creative Director, Framestore
I'm a creative problem solver, leading visualisation from the first virtual scout through on-set execution, postvis and beyond.
Part of the Emmy-winning Game of Thrones VFX team. Next: Avengers: Doomsday, Narnia and Tangled.
2023 · Visualisation Supervisor
Barbie
I led visualisation from virtual camera scouts and LED-stage work through to whole-film postvis.
Working with Greta Gerwig and Rodrigo Prieto on virtual camera scouts, my team helped shape the film before the shoot. I led the artists who designed the Dawn of Woman skies and ran its LED stage, developed techvis for the car's movement and flip, and delivered postvis for the entire film.
2024 · Visualisation Supervisor
Deadpool & Wolverine
I helped shape the signature oner and led whole-film postvis across more than 900 shots.
My contribution to the oner's design included its motion control passes, connecting the creative ambition to the mechanics of the shot. My team previsualised substantial portions of the film and delivered postvis for the entire cut, establishing the visual blueprint for final VFX.
2016–19 · Motion Control Supervisor · Previs
Game of Thrones
For three years, I was the chief architect of the on-set element shoots that brought dragon riding and fire to life.
Combining previs with hands-on motion control supervision, I translated complex sequences into executable on-set shoots. In the final season alone, I supervised more than 300 stage elements as part of the VFX team recognised with the 2019 Emmy for Outstanding Special Visual Effects.
Arrow keys orbit the camera around the shot. Square brackets, or minus and plus, change lens. R returns to the designed shot.